INFINITY, 2012
Mirrored plexiglass, marine timber, steel
240 × 170 × 170 cm
Highly Commended Award, Sculpture at Scenic World, NSW

Inspired by the TARDIS paradox, Infinity compresses the body and expands space, forcing an uncomfortable encounter with the self.

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I respectfully acknowledge the traditional custodians of the land on which I live, work, and play. In particular, I acknowledge the Bundjalung people and their elders past, present, and emerging.

I recognise the deep connection First Nations people have with this land, their enduring culture, and their ongoing contribution to our community. I pay my respects to their ancestors, who have cared for this land for generations, and we honor their spiritual and cultural practices.

As we continue to benefit from the resources of this land, we commit to learning from and supporting First Nations peoples in their aspirations for self-determination, cultural revitalisation, and environmental stewardship.

May we walk together on this journey of reconciliation, with humility, respect, and a commitment to justice for all.

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INERTIA, 2019

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